Some thoughts on analysis and insight…and a proposal

Anyone who follows me on Twitter will have seen me post this recently:

Thinking out loud: if someone started a smart, adult, critical site for writing about local gaming, would anyone write for it? Read it?

While I was only thinking out loud in response to this reactionary article from The Age (and yes, I know I shouldn’t read mainstream games coverage), I think it’s worth exploring, as much for my benefit as anything else, what I meant.

So, what did I mean?

Other creative sectors have a plurality of voices that run the gamut from news, reviews, criticism, and analysis, but for whatever reason (and I might not be looking in the right places), there seems to be a dearth of critical analysis and insight in the games space.

To illustrate, some of what I’d like to see in response to various events / articles are:

  • A deconstruction of the recent 60Sox / ISIS numbers and whether or not they’re truly reflective of the state of things and whether or not a meaningful comparison can be drawn with previous studies
  • A deeper look at state and federal funding decisions and the subsequent trajectories of both the projects and the studios
  • An examination of the recent Australia Council Arts and Creative Industries report from a games perspective
  • A breakdown of Canada’s development infrastructure before the tax breaks were introduced and whether or not the same conditions exist here
  • Something like this 2010 summary of the games sector in Scotland

Some of these I’d like to write, others I’d like to hear other perspectives on, and others I know I’m not qualified to do, but I’d like to read all of them as part of picking apart some of the long held beliefs about local game development – industrial, indie, and cultural – and seeing whether or not they hold water as well as responding with a greater degree of insight when new issues arise.

Is there enough there? And is there an audience?

I don’t know, and I have questions around whether there are enough people interested in writing or reading content like this or would those sorts of articles actually find a constructive audience or would it degenerate into comment flame-wars.

Where does it belong?

Somebody on twitter suggested that this might be the place for that and I should ask guests along. I don’t think that model works  because I (occasionally) like talking about other things here, deconstructing games, posting half-formed thoughts, sometimes about my writing, so I think it should be a completely new space. There’s also the question of responsibility – if someone says something contentious, I’d rather not be held entirely responsible for that. Happy to take the lumps for my own thoughts; others not so much.

Funding…?

This doesn’t feel like the sort of thing that would bring in vast amounts of wealth for contributors, but I also know having written some fairly substantial pieces that the ability to be paid for them makes a huge difference to their quality. I’d suggest a mix of short pieces that were unpaid, punctuated with far longer and more in-depth pieces that would be paid.

Raising the money is trickier, but I’m really interested in the Pozible model that New Matilda used to relaunch. I’m not sure how much would be needed, but it’s worth thinking about as a way of proving not only that there’s an audience out there, but that it’s an engaged and interested audience.

The question of time.

Freeplay is my main focus, but I’d like to see something like this happen perhaps as a contributor or as part of an editorial team, but I suspect if I tried to drive it I would burn myself out more than I already do with trying to build and grow a festival.

What next…?

These are really just thoughts of something I’d like to see rather than a manifesto or a detailed structure. The first step in building something new is to figure out what the hell it is and this provides us with a bit more space than Twitter to talk about that.

 

Arts and creative industries

The Australia Council for the Arts late last month published a report on Arts and creative industries. I’m only part way through reading it, but it’s worth reading because games are a fairly significant part of the first section and it continues what feels to me like is a broader conversation which is going on just outside of the games establishment and which could be easily missed.

What this raises for me in particular in a half-formed sort of way is: where do game developers fit into this conversation? Is it an industrial issue? Is it an audience issue? Is it the weird space in between those two?  Or is it something new entirely?

I don’t know, but I was struck by a comment from Miranda Sawyer over on The Guardian’s piece Is the age of the critic over?

The point is that most people – especially those outside the high-culture capital of London – are involved in culture of their own choice, often of their own making. Professional critics spend their time whizzing between private screenings and secret gigs, opening nights and exclusive playbacks. Everyone else just does stuff they like, with people who like it too.

In my half-formed world, it seems to me it should be the people who just do the stuff they like. I suspect though that they’re a bit like I’m learning to become and are focused on just making the things they want to make. I do wonder though what value could be gained from injecting some of their voices into this discussion.

My thoughts on the R18+ discussion

Well, I guess Amnesia Month is well and truly over…

I wasn’t going to weigh in to the R18+ issue largely because for a long time I’ve maintained that it didn’t really affect developers, and there was already a well-motivated and very vocal contingent of gamers who had the time and the energy for the fight. I also couldn’t find a way to add anything more to the argument than has already been stated elsewhere.

But now I think I can.

…if the latest surveys about the average gamer being a 32-year-old single male who sits at home and plays games all day are correct, then what I am proposing is not going to have much impact at all.

From Gamespot.

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Ludonarrative dissonance, Multiplatform, and looking beyond the digital

Going back a little while, I gave a talk about ludonarrative dissonance at RMIT’s games program.  Slides here as .mov; pdf here.  I also gave one on moment to moment gameplay, which you can find here.

I also gave a talk at Open Channel’s Multiplatform Workshop organised by Marcus Gillezeau. Content wise, it was an in person version of my thoughts on screen & technology culture – .mov here.

Lastly, I gave a keynote at the VITTA conference on Looking beyond the digital.  You can find a copy of the slides here and all of the games / sites I referenced below.